Exhibitions, Installations, Commissions — Sara Jimenez

“Why should our bodies end at the skin?” 2024, Fabric, steel, ceramics, wood, paint, multi-channel soundscape, 80 x 52 x 23 feet; Installation Photos: James Harnois, Courtesy of MadArt. (scroll down for description of the project)

Why should our bodies end at the skin?

"the rain from dreams or from breaths," 2023, , Fabric, astroturf, paint, cement, plaster, beads, wood, sequins, trim, buttons, paint, resin, hair, 25 x 21 x 10 feet of total installation (variable); Photos by Eitienne Fossard and Rachel Uffner Gall

the rain from dreams or from breaths

“At what point does the world unfold?”, 2022, Textiles, trim, sequins, beads, approximately 263 x 200 feet (total installation); Photos by Oz Gerard; Video Documentary and Documentation by Shira Evergreen. (scroll down for description of the projec

At what point does the world unfold?

"Roots Burrow Through Stones and Hard Facts", 2021, textiles, carpets, foam and wood sculptures, wallpaper, motion detector, 3 speakers with sound, 26 x 24 x 12 feet. Photo: Etienne Frossard (scroll down for description of the project)

roots burrow through stones and hard facts (installation & exhibition)

“Hardness Is Not the Absence of Emotion (2022),” Textiles, 20 x 20 x 30 feet; Photos by Marcie Revens. (scroll down for project description)

Hardness is Not the Absence of Emotion

Installation shots of solo exhibition at Morgan Lehman Gallery in November of 2022. Images courtesy of Morgan Lehman Gallery. (scroll down for press release)

fevered tropics

“A Setting,” 2020, Textiles, LED lights, 2 speakers, 14 x 13 x 10 feet (scroll down for project description)

A Setting

Installation images of solo exhibition at La Bodega Gallery “Itinerant Maladies” (2018). Installation images courtesy of Daniel Kukla. (scroll down for description of the project)

Itinerant Maladies

“The Scenery is Never Monotonous,” 2020, newspaper, paint, plastic, paper, wire, vinyl window tinting, 3 x 3 x 3 feet. Photos courtesy of the artist and Amy Lee Sanford . (scroll down for project description)

The Scenery is Never Monotonous

“Cenotaph,” 2018, Sewn red fabric, 30 x 30 x 10 feet. (scroll down for description of the project)

Cenotaph

“Binding Time,” 2015 floral compost, fabric, 15 x 11 x 8 feet. Photos by Daniel Kukla. (scroll down for project description)

Wave Hill Winter Workspace Installation

"Abyssal," 2016, silk, debris, 40 x 24 x 8 feet, dimensions variable. installation images courtesy of Daniel Kukla. (scroll down for project description)

Abyssal

"The Edge of Dwelling," 2019, Inkjet prints of colonial photography, Papier-mâché, 3 channel sound installation (in collaboration with Lau Nau ), 20 x 15 x 10 feet. Photos: Stephen Hagen and the artist. (scroll down for project description)

The Edge of Dwelling (installation & performance)

"Recede", 2016, Printed vinyl, 32 x 9 feet and 21 x 2 feet (scroll down for project description)

Recede

"Remnants" (2016) Installation View

Remnants

"Radiance," 2019, textiles & bells, 20 x 30 x 15 feet

Radiance

Bemis

"Revivival," 2020, Custom printed fabric, 25 x 12 feet

Revivival